Showing posts with label The Treniers. Show all posts
Showing posts with label The Treniers. Show all posts

Wednesday, August 25, 2010

DON'T KNOCK THE ROCK


Since Rock Around The Clock had been such a success, this sequel,
Don't Knock The Rock (DKTR) was quickly rushed into production and released in December of the same year (1956). DKTR however failed to garner as much success as the original movie. This caused a third movie in the series that would also have featured Bill Haley to be canceled. The failure of DKTR could also have had something to do with Haley's "rock and roll" career faltering around the same time.


In my opinion, it wasn't Haley who couldn't make this movie into a hit, instead the problem was the casting of Alan Dale (a friend of Alan Freed's) as Arnie Haines. In
DKTR, Arnie Haines is supposed to be the biggest and greatest "rock and roll" star of the time. Alan Dale was a great big band singer and possessed a great set of pipes, but trying to pass him off as a great "rock and roll" singer was a fatal flaw in DKTR and I doubt audiences at the time bought the premise any more than I did. For a look at Alan Dale/Arnie Haines check out the trailer at the end of this review.


The plot of
DKTR has Arnie and his band tired of the limelight and deciding to take a break and go back home to see their families and rest up. They ask Bill Haley to take over their bookings and he's glad to accommodate. Unfortunately, when Arnie and the boys arrive home they find that they're not welcome in their own hometown due to playing that "evil rock and roll" music. Adding to their woes is a nationally syndicated columnist, Arlene MacLaine (Fay Baker), who has come to town to check out Arnie and writes a column deriding their music. The publication of her column causes towns all across the U.S. to start canceling "rock and roll" shows.


Arlene's daughter Francine (Patricia Hardy) is on Arnies side and wants to prove her mother wrong. In order to combat the bad connotation that "rock and roll" has received Arnie, Francine, and Arnie's manager, Alan Freed, decide to stage a charity "rock and roll" show in the next town over. Francine will get her mother to attend and see there's nothing wrong with the music. Everything almost works out, but Arnie refuses the advances of a piece of "jailbait" (Jana Lund) and to get even she brings a bottle of liquor to the dance. All the hubbub about the liquor causes a fight to break out at the dance. The liquor and the fighting make "rock and roll" once again look bad when all of this is reported in the newspapers. Arnie comes up with a solution to show the old fogies that "rock and roll" isn't any worse than the music/dancing they grew up with and everyone comes to their senses for a happy ending.


Even though Bill Haley was listed as the star of DKTR, he's actually only a supporting player in the movie. Haley and The Comets get to perform several songs before and during the charity concert and Bill has a few speaking parts in the movie. The concert also includes The Treniers (fronted by twin brothers Claude and Cliff Trenier) who sing "Rockin' on Saturday Night" and "Out Of The Bushes" and prove what a great show band they were. Dave Appell and The Applejacks do "Applejack" and "Country Dance". Best of all we get some real "rock and roll" when Little Richard sings "Tutti Fruitti" and "Long Tall Sally". The only bad part of Little Richard's performance is he's not very animated, it appears someone told him "look into this camera" because no matter which way the shot is set up, he's always looking straight ahead.


A couple of things I neglected to mention in my review of Rock Around The Clock which also hold true for DKTR: There are some great dancers in both movies, as a matter of fact, the group dancers are much better than the featured duet dancers in both movies. I also found it odd that Haley's group included a steel guitar player. I imagine this was a holdover from Haley's country and western days. I'm not saying a steel guitar player can't rock (see Junior Brown or Robert Randolph
), just that it's a strange instrument to see in a "rock and roll" band.



Thursday, August 12, 2010

THE GIRL CAN'T HELP IT


After watching several movies built around rock/country music with the plot secondary to the music, it was refreshing to see this light romantic comedy where the musical performances are integrated into the plot. Unlike some of the similar movies from this time period, The Girl Can't Help It (GCHI) could easily exist without the music acts and still be entertaining.


A gangster (Edmund O'Brien) wants to reclaim the limelight from his golden years of fame. His plan is to make his girlfriend (Jayne Mansfield) into a famous pop singer, then he'll marry her and as the husband of someone famous he'll have his name back in the newspapers. Of course, in today's world O'Brien would be counting on getting his own reality show. O'Brien hooks a washed up press agent (Tom Ewell) into his plan and everything is set to go. Only a couple of problems: Jayne can't sing, she'd rather be a housewife, and as if we didn't know this was going to happen - Jayne and Tom fall in Love.


Using the construct of the music business enables GCHI to include musical acts as part of the story. The very first music act we see in the movie is Nino Tempo (No April!) performing in a nightclub where Tom is sitting alone drinking. As the movie rolls along we get perfomances from Little Richard, Eddie Fontaine, Johnny Olenn, The Chuckles, Abbey Lincoln, Julie London, Gene Vincent And His Blue Caps, Eddie Cochran, The Treniers, Fats Domino, The Platters, and Ray Anthony


Tom gets a phone call at the nightclub to come talk about a job. Since Tom recognizes the address to be in a ritzy part of town, he agrees and that's when he first meets up with O'Brien and gets drawn into the plan; but more importantly, this sequence also includes the first appearance of Jayne Mansfield. She throws open some connecting doors and the director frames her in the doorway. With her perfect hourglass figure, I can only imagine the audience "gasping" when they first saw her on the big screen. Frank Tashlin, the director, who previously directed cartoons, has been quoted as saying "big breasts were some of the funniest things going". GCHI has a lot of of cartoon elements, including a great sight gag sequence as Jayne makes the Iceman's ice melt, the Milkman's milk explode and another man's glasses crack. The below photo from the movie seems to combine Tashlin's thinking about big breasts and a sight gag into one shot.


As with any movie with so many great music acts, everyone will have their favorite(s). I especially liked Little Richard and Fats Domino, but a lot of that has to do with the fact that they are both already two of my favorite performers and I'm thrilled anytime I get to see them. There really wasn't a bad or boring musical performance with any of the acts, which isn't always the case when so many performers are included in one movie. Julie London appears in a sultry dream sequence singing "Cry Me A River" that is still embedded in my brain.


GCHI is available in a DVD box set that includes "The Sheriff of Fractured Jaw" and "Will Success Spoil Rock Hunter?' OR You can rent it through Netflix OR catch it on The Fox Movie Channel, since it seems they show it at least once a month (sometimes more than once a month!)